Exhibition: The Sense of Data – Seoul 2018

 

What can data reveal about us and societies?

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The artist in the project of ‘Out-Layers – Seoul 2018′ at Platform-L.  photo by Samuel An 2018

During the preparation of this art exhibition, I lost my beloved father in Seoul. At the moment, I almost gave up having this exhibition but, miraculously, the timing of installation and equipment rentals have worked out well with the kind helps of many – especially Sam An and Kazan Kang from datacook.  Kazan’s technical support for data algorithm has been critical for my artwork.  Also many thanks to my QUT supervisors: Dr. Jen Seevinck, Dr. Alice Payne and Dr. Jaz Choi.  In the end, I was able to hold this solo art exhibition at the Platform-L Contemporary Art Center from 7th of Nov to 17th of Nov 2018 as a part of Platform-L Live Arts Program 2018. Perhaps dad was looking after me after all…

Art Exhibition by Younghui Kim: The Sense of Data – Seoul 2018

Here is the quickly printed postcard with the artwork, ‘Out-Layers – Seoul 2018‘ – screen version. I had to rush out to the printer during the exhibition as I had a very limited time to prepare. Fortunately, the art exhibition has gotten strong feedbacks in the sense of sharing my artistic view of data from the Seoul audience.

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The Sense of Data series is the third data art series following the series of [Weight of Data 2016-8] and [mood.cloud-Data as Art 2014]. 

In the age of massive data where our action, decisions and opinions are digitally traced, hyper-connected and shared in many technologically developed societies, the artist questions about how our everyday lives are expressed and influenced through data.  This series is composed of 3 artworks; two of them are in a set of a wearable and a screen projection piece of live data associated with Seoul.

Out-Layers – Seoul 2018
In the first set, ‘Out-Layers – Seoul 2018‘, the artist visualizes the live data of selfie-related texts in the public post of Selfie using the hashtag #셀카 in Instagram – ‘셀카’ is pronounced as ‘Selca’ and means ‘Selfie’ in Korean. The algorithm set in the datacook site looks for the Korean words that are associated with five kinds of emotions and thoughts exposed in the Korean selfies in social media, categrized based on thematic analysis; then visualizes into five colors of stripes: daily – green, travel – blue, emotions – yellow, appearance – pink, and promotion – orange.  These bold graphic pattern projected in a large scale on the wall are built and updated with the live data along in parallel with the colourful lights embedded in the wearable version.   Both patterns are inspired by Korean traditional color pattern called, ‘Sakdong’ and Hanbok image collars called, ‘Dong Jeong‘.

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‘Out-Layers Seoul 2018‘ by Younghui Kim.  Platform-L Contemporary Art Center

Please go to the project link here for more info and photos about this work >>>

 

BreatheOut – Seoul 2018

The set of artworks, ‘BreatheOut – Seoul 2018′ visualizes the live data of the air quality of Seoul – specifically the micro dust pollution levels in the district of the gallery is sited.

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BreatheOut – Seoul 2018 by Kim Y.  Air Quality Data Visualization at Platform-L (clear air in Gangnamgu, Seoul after the rain).

The air we breathe out unconsciously gets mixed up with the surrounding air (in Seoul this case), and we share air by breathing in and out. We are interacting with air dust by breathing in and out, and ‘BreatheOut – Seoul 2018‘ visualizes the interaction of our breathing out, blending with the live visualization of the current air dust quality.  The artist relates this idea of data that influences our everyday lives by tracing, sharing and circulating.  Also, the idea of sustainability is apparent with this artistic theme as this wearable, Pancho has been created with a zero-waste pattern; a pattern that does not create trimmed throwaways of the fabric.

The large screen is full of whimsical particles in the shape of circles all moving toward one direction.  The artist visualized the air particles into small circles and refers them as, ‘air bubble’.  These movements of air bubbles are intentionally designed simple but computationally randomized, which creates a meditative environment where one can stare at it for a while. The live data was filtered through an algorithm in the artwork and visualized into tiny moving air bubbles in different color stages based on the AQI (Air Quality Index) Calculator provided by airnow.gov.  Each layer of colors represent PM10 (coarse particle matters) , and PM2.5 (finer particle matters) status and these air bubbles are joined with pink bubbles breathed out through the wearable.  PM refers an air pollutant that is harmful for health when levels in air are high.  Each layer of the air bubbles is displayed in one of three colours depending on the real-time data provided by the Seoul City Open Data API:  green being healthy, orange being sensitive and light pink being unhealthy for some people.

The wearable also displays the color status of micro dust in LEDs embedded, and a breathing sensor is attached to the inner layer of the mask part. We breathe in and out the very same air; therefore, the wearer also participates with the live data visualization with her breathing.

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BreatheOut – Seoul 2018 by Kim Y., micro dust – sensitive and dust -healthy with the wearable piece.
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The Screen Grab of BreatheOut – Seoul 2018 – with the unhealthy micro-dust air quality with the breathing out through the wearable.

Please go to the project link here for more info and photos>>>>>

 

Seeking for Outliers – Seoul 2018

As a part of her PhD research, “Artistic Exploration of Data Through Creative Practice“, Younghui begins to explore the meaning of outliers in data through her art practice and aims to expand the use of real-time data as art material for conceptual art practice through this series. It has been a long process of exploring data through an artistic approach for her already. Therefore, this artwork is the process, not a completion of work.  In Seeking for Outliers, the artist first gathered her words that she posted on the walls of Facebook for ten years of her stay in Seoul – from Feb 2007 to Jan 2017. Apparently, the dataset was large which easily crashed the data analytic tools she played with.

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A view of the exhibition, The Sense of Data at Platform-L Contempoary Art Center 2018

‘Seeking for Outliers’ has begun with the idea of searching for outliers in personal data of the artist. To trace her memories of thoughts, opinions, and actions for the ten years living in Seoul, she first gathered English words as she often posts on the wall in two languages. Then she displayed the words by the counts of the word usage into her artwork to seek for the words that reveal her thoughts based on her memory and experience.

Notably, the artist seeked for the words that were used only once or twice instead of many – such in hundreds. They might be insignificant in counts in data analysis but, these diverse words are far more exciting and significant as they might be a record of passing ephemeral thoughts. For instance, the most repeatedly used word, ‘Happy’ – 400 times, would appear larger in yellow but, it will have lesser significant, therefore, behaves lighter in weights. Its opacity is low and moves slow and floats like air.

Throught ‘Seeking for Outliers‘, Younghui tries to understand the outliers of her past with her own memories and experience and based on its revelation, she expects to continue to further practice with this concept of outliers in the close future.  The video below is a clip where the artist reads word by word out loud during the exhibition.

 

 

Exhibition at Beit Hair Museum, Tel Aviv – Israel Mar 26-June ’15

Exhibition at Beit Hair Museum, Tel Aviv – Israel

Beit Hair Museum has invited Younghui Kim’s most current wearable art projects ( Metamorphosis, Nabi & sketches) for their curatorial exhibition on Fashion + Technology this March.  The opening was March 25th, 2015 10 pm.

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Display spec for Y. Kim’s projects

Younghui at ISEA 2011, Istanbul

Younghui has presented her art paper, “Body Graffiti: Expressive Wearable Art Through Bodily Performance” at 17th ISEA 2011 in Istanbul.  ISEA is International Symposium on Electronic Art and it was held in Istanbul, Turkey this year along with Istanbul Biennial.  Her paper was in the session, “Wearable Technologies” and she has met her international colleagues in wearable technologies at the panel session, “Wearable + Open Culture.”  Istanbul has been amazing, a busy city in mixture of old and new.  I was inspired to create more wearable art works and documenting wearable workshop tutorials for the open culture.  More soon….