Seeking for Outliers: Artistic Exploration of Data through Creative Practice The PhD Final Exhibition by Younghui Kim
21 of Jan – 24th Jan 2020: 10 am – 5 pm at The Block, QUT Creative Industries Precinct, Musk Ave., Kelvin Grove Opening Reception: Thurs. 23 Jan 2020, 5 – 7 pm
My PhD Final Exhibition will be held soon at The Block gallery at QUT Kelvin Grove Creative Industries Precinct. My long journey of practice-led research project will be presented to the public. At the exhibition, Seeking for Outliers. there will be four sets of digital art installation that are data-driven artworks. Following The Sense of Data exhibition at Platform-L, Seoul in 2018, this exhibition shows further developed artworks with revised artistic exploration of data and additional art installation.
The artworks draw on four sets of data: environmental, social, personal, and personal photographic data. These draw on my personal experience in relations with two cities: Seoul and Brisbane. I lived in Seoul for a decade and in Brisbane for three years as a Korean-American foreigner. The first exhibition, The Sense of Data is more focused on my experience in Seoul and the final exhibition, Seeking for Outliers is to explore dynamics of these two cities with additional experience in Brisbane.
When I explored these data sets through artistic practice, I intended to let the context of data inform my approaches in making art. The dynamics of a visual, tangible form of the data artworks portrait my experience in two cities in the environmental, social, and personal aspects. Furthermore, by allowing the context of data and the performance of live data to inform visual patterns, colors, forms, and materials, I artistically explored data through art practice and further conceptualized the artwork.
This exhibition is supported by Queensland University of Technology and Creative Industries Precinct.
Great Thanks to my spouse Sam and family in both Korea and USA, the kind staff Helena at Creative Industries HDR support group, Simon at J-Block, Nigel and Blair at The Block, my colleagues at Urban Informatics Design Lab and most of all to my superb advisory team of: Dr Seevinck, Dr Payne and Dr Choi.
The modified new version of “BreatheOut” was exhibited at QUT biennial event, Robotronica 2019. I added new sensors that resemble a Calla lily flower to allow the audience to mix the data visualiszation with the live Brisbane air data. By breathing out to the flower planted in the living plant, the local Brisbane audience can add new particles that represent Brisbane PM 2.5 (Particle Matters) quality in different colors depending on the air quality status. For example, the large screen displays the current air quality of Seoul city, Gangnam-gu and the real-time air quality data from Brisbane CBD will get mixed with Seoul air in the screen by breathing out to the sensor.
She presented her PhD work-in-progress data art project, ‘Seeking for Outliers‘ at Lounge Space 5 (5-2) ACC Creation. It is exciting to discuss and hear feedback from peers in the digital art practice and research from all over the world. It was also motivating to attend to other artist talks on data sonification, bio art, robotic art and AI art practice and research.
During the preparation of this art exhibition, I lost my beloved father in Seoul. At the moment, I almost gave up having this exhibition but, miraculously, the timing of installation and equipment rentals have worked out well with the kind helps of many – especially Sam An and Kazan Kang from datacook. Kazan’s technical support for data algorithm has been critical for my artwork. Also many thanks to my QUT supervisors: Dr. Jen Seevinck, Dr. Alice Payne and Dr. Jaz Choi. In the end, I was able to hold this solo art exhibition at the Platform-L Contemporary Art Center from 7th of Nov to 17th of Nov 2018 as a part of Platform-L Live Arts Program 2018. Perhaps dad was looking after me after all…
Art Exhibition by Younghui Kim: The Sense of Data – Seoul 2018
Here is the quickly printed postcard with the artwork, ‘Out-Layers – Seoul 2018‘ – screen version. I had to rush out to the printer during the exhibition as I had a very limited time to prepare. Fortunately, the art exhibition has gotten strong feedbacks in the sense of sharing my artistic view of data from the Seoul audience.
In the age of massive data where our action, decisions and opinions are digitally traced, hyper-connected and shared in many technologically developed societies, the artist questions about how our everyday lives are expressed and influenced through data. This series is composed of 3 artworks; two of them are in a set of a wearable and a screen projection piece of live data associated with Seoul.
Out-Layers – Seoul 2018
In the first set, ‘Out-Layers – Seoul 2018‘, the artist visualizes the live data of selfie-related texts in the public post of Selfie using the hashtag #셀카 in Instagram – ‘셀카’ is pronounced as ‘Selca’ and means ‘Selfie’ in Korean. The algorithm set in the datacook site looks for the Korean words that are associated with five kinds of emotions and thoughts exposed in the Korean selfies in social media, categrized based on thematic analysis; then visualizes into five colors of stripes: daily – green, travel – blue, emotions – yellow, appearance – pink, and promotion – orange. These bold graphic pattern projected in a large scale on the wall are built and updated with the live data along in parallel with the colourful lights embedded in the wearable version. Both patterns are inspired by Korean traditional color pattern called, ‘Sakdong’ and Hanbok image collars called, ‘Dong Jeong‘.
The set of artworks, ‘BreatheOut – Seoul 2018′ visualizes the live data of the air quality of Seoul – specifically the micro dust pollution levels in the district of the gallery is sited.
The air we breathe out unconsciously gets mixed up with the surrounding air (in Seoul this case), and we share air by breathing in and out. We are interacting with air dust by breathing in and out, and ‘BreatheOut – Seoul 2018‘ visualizes the interaction of our breathing out, blending with the live visualization of the current air dust quality. The artist relates this idea of data that influences our everyday lives by tracing, sharing and circulating. Also, the idea of sustainability is apparent with this artistic theme as this wearable, Pancho has been created with a zero-waste pattern; a pattern that does not create trimmed throwaways of the fabric.
The large screen is full of whimsical particles in the shape of circles all moving toward one direction. The artist visualized the air particles into small circles and refers them as, ‘air bubble’. These movements of air bubbles are intentionally designed simple but computationally randomized, which creates a meditative environment where one can stare at it for a while. The live data was filtered through an algorithm in the artwork and visualized into tiny moving air bubbles in different color stages based on the AQI (Air Quality Index) Calculator provided by airnow.gov. Each layer of colors represent PM10 (coarse particle matters) , and PM2.5 (finer particle matters) status and these air bubbles are joined with pink bubbles breathed out through the wearable. PM refers an air pollutant that is harmful for health when levels in air are high. Each layer of the air bubbles is displayed in one of three colours depending on the real-time data provided by the Seoul City Open Data API: green being healthy, orange being sensitive and light pink being unhealthy for some people.
The wearable also displays the color status of micro dust in LEDs embedded, and a breathing sensor is attached to the inner layer of the mask part. We breathe in and out the very same air; therefore, the wearer also participates with the live data visualization with her breathing.
As a part of her PhD research, “Artistic Exploration of Data Through Creative Practice“, Younghui begins to explore the meaning of outliers in data through her art practice and aims to expand the use of real-time data as art material for conceptual art practice through this series. It has been a long process of exploring data through an artistic approach for her already. Therefore, this artwork is the process, not a completion of work. In Seeking for Outliers, the artist first gathered her words that she posted on the walls of Facebook for ten years of her stay in Seoul – from Feb 2007 to Jan 2017. Apparently, the dataset was large which easily crashed the data analytic tools she played with.
‘Seeking for Outliers’ has begun with the idea of searching for outliers in personal data of the artist. To trace her memories of thoughts, opinions, and actions for the ten years living in Seoul, she first gathered English words as she often posts on the wall in two languages. Then she displayed the words by the counts of the word usage into her artwork to seek for the words that reveal her thoughts based on her memory and experience.
Notably, the artist seeked for the words that were used only once or twice instead of many – such in hundreds. They might be insignificant in counts in data analysis but, these diverse words are far more exciting and significant as they might be a record of passing ephemeral thoughts. For instance, the most repeatedly used word, ‘Happy’ – 400 times, would appear larger in yellow but, it will have lesser significant, therefore, behaves lighter in weights. Its opacity is low and moves slow and floats like air.
Throught ‘Seeking for Outliers‘, Younghui tries to understand the outliers of her past with her own memories and experience and based on its revelation, she expects to continue to further practice with this concept of outliers in the close future. The video below is a clip where the artist reads word by word out loud during the exhibition.
As a part of the Platform Live Arts Program 2018, Marie Younghui Kim will have an exhibition titled, “The Sense of Data – Seoul 2018” at Platform-L Contemporary Art Center, Seoul, South Korea.
THE SENSE OF DATA BY YOUNGHUI KIM @ Platform-L
Opening Reception: Nov 7th, 2018, 7 pm
Exhibition Date: Nov 7 – Nov 17, 2018 11 am – 8 pm
Venue: The Machine Room at Plaform-L Contemporary Art Center
This exhibition is a part of her research “Artistic Exploration of Data Through Creative Practice” and supported by Platform-L and QUT (Queensland University of Technology).
<The Sense of Data> series is the third data art series following series of<Weight of Data 2016-8> and <mood.cloud-Data as Art 2014>. In the age of Big Data where our action, decisions and opinions appear to be digitally traced and hyper-connected in many digitally saturated societies, the artist questions about how our everyday lives are expressed and influenced through data. In this series, artist visualizes the live data of selfies related emotions and thoughts exposed in social media into bold graphic pattern along with colourful lights embedded in wearable; visualizes through an algorithm that uses Seoul City’s Open Datasets combined with the sensor-collected data to let data breath through wearable; and plays with the idea of her personal outliers that are leftover or unnoticed. Through this series, the artist begins to explore outliers of data through her art practice and aims to expand the use of real-time data as art material for conceptual art practice.
Technical support by datacook.org (Kazan Kang, Samuel An)
전시명 The Sense of Data 더 센스 오브 데이터
작가명 Younghui Kim 김영희
일시 11월7일 – 11월 17일 11 am –8 pm
장소 플랫폼엘 머신룸
티켓 무료 관람
<The Sense of Data – Seoul 2018> 시리즈는 2014년도에 창작된 <mood.cloud-Data as Art>와 2016-2018년에 전시된 <Weight of Data>를 잇는 세번째 데이터 아트 시리즈로 초연결시대 삶의 흔적인 데이터를 통해 분석되고 예측되는 현대인들의 일상이 데이터에 의해 표현되고 영향을 받게 되는 현상에 대하여 질문을 던지기 시작한다. 이번 시리즈는 소셜미디어에 노출되고 있는 셀피 속 라이브한 감정과 생각을 분석하여 볼드 한 그래픽과 추상적 빛으로 시각화한 작품과 서울시 오픈데이터와 센서로 측정되는 환경데이터를 작가가 생각한 알고리즘에 따라 리얼타임으로 호흡하는 웨어러블 작품, 그리고 데이터 분석과 해석에서 버려지고 무시될 수 있는 소수의 의미를 찾아 고민한 작품을 선보인다. 김영희 작가는 이번 시리즈를 계기로 데이터 분석에서 무시되어지는 소수의 의미인 데이터 아웃라이어에 대한 예술적 이해와 탐구를 시작했으며 이러한 데이터 속 아웃라이어의 사회적 의미를 예술적 영역으로 확장시킬 수 있는 가능성을 탐색해 본다.
Trading Live feeds that has been calculated in Kg of Sugar, Rice and Salt per 1 Bit Coin and/or Lite Coin
Except for sugarcubes, I had to purchase 1 Kg of raw rice and sea salt in Montreal. I didn’t bring the balance with me so, I bought each packaged in 1 Kg. The value of cryptocurrency has peaked over 2 years so I had to add another digit for the screen interface in Processing. The left photo above is the screen of the Sugar installation piece in 2018 and the right one is from the exhibition in 2016. It was expected but, surprised by the scale of increment.
Are we putting even higher value in digital data now?