Directing Students Media Art Project for Hongik Fashion Week Runway 2023

Opening sequence by Subin Kim, Min Young Kim, Junmin Park, Sarah Yoon (School of Design Convergence) at Hongik Fashion Week BFA fashion show runway, Nov 3 2023, All RIghts reversed to the aritists © 2023

2023년은 학부보직과 맞물려 여러 미디어아트 프로젝트로 분주한 한 해였다. 이제야 포스팅을 하지만, 뒤돌아 보니 보람되기도 하다. 홍익대학교 대학혁신사업 특성화학과 간에 공통적인 특성화 분야인 디자인분야에 대해서 각 학과가 독립적으로 프로그램을 운영하고 있으나 특성화학과 간 디자인분야에서 시너지 효과를 창출할 수 있는 융합 및 협업 프로젝트로 홍익패션위크를 시행함으로써 차별화된 본교의 디자인 특성화 경쟁력을 확보하고자하였다. 이렇게 특성화학과 간 디자인분야에서 시너지 효과를 창출하는 경험을 가진 참여학생들은 섬유패션디자인학과와 미디어아트 프로젝트 협업을 통하여 디자인컨버전스학부의 커리큘럼 관련 프로젝트를 실제 미디어 영상 런웨이 무대로 설치하여 빅스크린에 프로젝션맵핑하여 패션쇼와 공연무대와 함께 준비하면서 실무에서 배울 수 있는 값진 경험을 가질 수 있다고 보았다.

물론 여름방학을 시작으로 넉달 간 4팀의 학생들을 지도하고 리허설하고, 기술적인 기획을 담당하는 것은 많은 에너지가 소요되는 일이었지만, 성공적으로 이벤트를 끝내고 나니, 모두에게 값진 경험이지 않았나 싶다. 특히 기존 업체의 잘못 측정된 무대 사이즈임에도 불구하고 하루만에 거대한 스크린벽과 빔프로젝터 4대와 소프트웨어 컨트롤룸을 뚝딱 설치해내신 에이플래넷의 박대표님의 도움없이는 힘든 무대였을 거 같다.

The year 2023 has been a busy year for me due to several art projects. Among them, art directing my students (9 students, 4 teams from School of Design Convergence) collaborating for the fashion show runway media art projection. There are 4 group of students from School of Design Convergence, Dept of Textile & Fashion Design, School of Performing Art, and School of Advertising and Promotion at Hongik University, planning, and creating an impactful day event since June.

Sound Generative Visuals projection on the banner textile by Sarah Yoon during live music performance rehearsal (School of Design Convergence) at Hongik Fashion Week BFA fashion show runway, Nov 3 2023, All RIghts reversed to the aritists © 2023

D day was Nov 3rd, 2023 and the event was held at the main Gym at Hongik University, Seoul Campus. Our media art team worked on constructing the screen walls & media banners, and creating media art for both MFA and BFA fashion shows.

AI-driven opening media art for MFA fashon show by Junmin Park, Sarah Yoon, and Min Young Kim ©2023

The theme is ‘Peace is Blue’ so, for the MFA fashion show opening, my students created AI-driven moving images using prompts based on the keywords that MFA students provided. (Both 10 meters long fabric banner screen and for 17 meters wide 6 meters high main stage screens. There was a live music performance by students from the School of Performing Art and we created a sound generated visuals for their performance as well as cat walk.

Fashion BFA graduates’ Interview shot & edited by Eungyul Park, and Subin Kim, School of Design Convergence, Hongik U. 2023

For the opening of BFA fashion show, we created an opening movie that contains what BFA students think of ‘peace’ in their own languages. Also, their words are on the banner projection screen.

It was a full four months production and I had to give up my summer break but, it was worth it.

Below is the opening art performance video captured casually.

AI-driven (partially) opening animation with the prompts based on keywords that fashion designers wrote about the theme, ‘Peace’. by Jumin Park, Sara Yoon, Min Young Kim – directed by Younghui Kim, School of Design Convergence, Hongik University. All RIghts reversed to the aritists © 2023

Exhibition: Continuous Flow at KOTE Gallery

Continuous Flow – April 16-May 27 2021, at KOTE 3F Gallery

KOTE is an amazing art & culture space located in the heart of Seoul, Insadong.  On the 3F gallery, curated with Todd Hollebeck & Minhee Kim, 5 solo exhibitions and 2 group exhibitions among 13 individual or team artists who deals with art, media, and technology.  Younghui has participated in this evolving exhibition with her new artworks:  “Bridge Crossing – Kurilpa 2021” with, “RICE-1Kg – new version 2021” in the 3rd FL gallery, Room 3 as a Solo-exhibition.

more info at KOTE

IMG_9642

Weight of Data – Rice 1Kg (Younghui Kim 2021), Live updates of the rice market value equals to one bitcoin in weights
rice_sceen_Kote
Data updates in the screen: the weight of Rice that a Bitcoin can buy at the moment
Continue reading Exhibition: Continuous Flow at KOTE Gallery

BreatheOut-Robotronica 2019

BreatheOut_2
A scene from Robotronica 2019, Block D, QUT

https://www.qut.edu.au/creative-industries/about/events/event?news-id=148423

The modified new version of “BreatheOut” was exhibited at QUT biennial event, Robotronica 2019.  In this version, I added a new sensor that resemble a Calla lily flower to allow the audience to mix the data visualization with the live Brisbane air data.  By breathing out to the flower planted in the living plant, the local Brisbane audience can add new particles that represent Brisbane PM 2.5 (Particle Matters) quality in different colors depending on the air quality status. For example, the large screen displays the current air quality of Seoul city, Gangnam-gu and the real-time air quality data from Brisbane CBD will get mixed with Seoul air in the screen by breathing out to the sensor.

작품 ‘BreatheOut (숨을 내쉬다)’의 그 두번째 버전이 작업 중에 2019년도 로보트로니카 비엔날레에 초청되었다.  전시회를 찾아오는 관람객들을 위해 웨어러블 대신 칼라릴리 모양의 센서를 제작해서 커다란 식물화분에 심었다.  거친 노출형 시멘트 벽면에는 서울시 오픈데이터사이트에서 가져온 실시간 미세먼지 데이터로 작은 먼지방울들이 공기의 상태를 나타내는 색으로(그린, 오렌지, 핑크) 천천히 한방향으로 흐르듯이 움직이고 있다.  그 위에 호주 브리즈번 관람객들이 숨을 내쉬면, 브리즈번의 실시간 미세먼지 데이터의 수치가 색으로 적용되어 먼지방울로 화면의 파티클 이미지와 뒤섞이게 된다.  마치 비누방울을 불어서 넣듯이. 잠시 후, 숨을 내쉬어 불어넣은 현지 공기데이터의 방울들은 마치 공기속으로 사라지듯이 스크린에서도 사라진다.

(서울시 강남구 미세먼지, 초미세먼지 데이터, 호주 퀸스랜드주 브리즈번 초미세먼지 데이터, DataCook)

The video file will be coming soon.

ECIR : RICE, work in progress

‘지나간 생각, 다시 Passed Thoughts, Again’ is the second annual exhibition by the MAG (Media Artists Group) art students + artists group formed together with Penser – media art students group in Hongik University (Advisor: Younghui Kim) and 259 – art students group in Yensei University.   To contribute to their passionate exhibition, I presented one of my new work in progress project.

ecir_full_low

ecir , 2016  – Data Art – Work in Progress

(Electronic Citation on Idealogical Rice)

What value does RICE represent to us today?

Rice used to be exchanged as a currency in old Korea.  People used to pay tax in bags of rice.  Rice is still sacred in this society and is commodity that is being protected from global market and holds political and economical idea and value.

With all the complexity what Rice represent in this culture, the artist is throwing an open question by contrasting the old currency (Rice) and the new currency (Bit Coin) and see its value and changes in relations to each other.

An artwork of a string full of rice in 1 Kg is representing the real-time value changes of one of the commodity, Rice in relation to the value of a Bit Coin that is being exchanged in market every minute.  The data algorithm calculates __Kg of rice which one Bit Coin can buy according to the market exchange values then display in different colors of lighting pattern based on its rises and fall.

in collaboration with DATACOOK team

 

 

Art.CHI 2015

Art.CHI 2015  Interactive Media Works

After two days of intense workshop on Art.CHI at CHI 2015 in Seoul last April, some of the art projects from this book were displayed as a part of Interactivity Exhibition at CHI.  Younghui has participated as one of the organizers of the Art.CHI workshop as well as coordinating the Interactive Art Exhibition.

Here is the link of the Art.CHI workshop.  http://art-chi.org/

and here is the link for the Art.CHI gallery online. http://art-chi.org/embodied-exhibit

For this full color hardcopy of this book, it is being sold at blurb.com.

art_chi_catalog artchi_moodcloud_p7

Younghui has also submitted her recent data art project, mood.cloud to the Art.CHI.  Below is an excerpt from the book.

The project, “mood.cloud” is an exploratory artistic display of data as art. Emotional status is something that forms and passes like a cloud in the air. What if an installation can hold and collect individual emotional statuses and displays how we all feel together in the same space? Will collective emotional awareness influence individual moods and vice versa?

For creating a certain mood, people often use lighting effects and colorful lights. When used on a large scale like with “mood.cloud,” lights are somewhat emotionally overwhelming and powerfully expressive. This project visualizes emotional status of people in twenty-four strings of LED lights: the bottom LED string refreshes to the color corresponding to the most recent input and it moves up as more updates occur afterward. Through this representation, one can reflect on the collective emotional status of the people in that space in a timely manner.

(from page 7 in the book Art.CHI 2015)

Data as Art Research: mood.cloud

mood.cloud  –  Data as Art
in research with Interaction Design Lab, Cornell University
(summer of 2014)

mood.cloud, details inside
mood.cloud, details inside

artistic statement:

Emotional status is something that forms and passes like a cloud in the air.  What if an installation can hold and collect individual emotional statuses and displays how we all feel together in the same space?  Will collective emotional awareness influence individual moods and vice versa?

– Younghui Kim, Lead Artist

This interactive installation is a visual representation of collective emotional moods that are translated from PAM (The Photographic Affect Meter, JP Pollak, Phil Adams, and Geri Gay) input.  The PAM is a one-click measure of emotional state now widely used in place of or in addition to traditional pen and paper psychological assessments.

This piece is an on-going collaborative research to see how these voluntary PAM inputs of building users would be relate to the visual representation of collected mood at a given timeframe.   This mood.cloud platform can be re-programmed in diverse visual patterns.

Interaction

DSC01319

lotsofLEDs
working with LED strips

mood.cloud - model
mood.cloud – model

Here is a link that talks about this research art here. 

mood.cloud TEAM

Younghui Kim – Lead Artist
Hyuns Hong – Artist, Engineer
Jung-Ho Son, Assistant Artist, Programmer
Jacqueline Chien, Fabricator
Lindsay Reynolds, Project Manager
Geri Gay, Kenneh J. Bissett Professor, Communication/Information Science, IDL Director

(partially funded by Intel and CIS Dean’s Office)